Synesthesia drawings explained
Since last year’s post, Synelindesthesia, where I described organizing the colors of each alphabet letter as I perceive them into a color wheel, I have been making watercolor drawings by plotting written passages using a tracing paper template from that wheel.
After making the color wheel, I tried plotting ”sovereign” onto a blank piece of paper using the tracing paper template and drawing colored rays from each letter of the word in order, it looked like this:
Minus the letters and shaded in a bit more carefully, it became this:
I decided to try a whole poem and plotted out “Vermeer” by Wislawa Szymborska, with the number of times each letter appeared written as a superscript (vowels down at the left):
Over the winter I made several dozen of these, eventually discarding any notation on the page and just working with the overlapping color fields. I experimented with background color, and what written material to use, often challenging myself to make one in a day using an observation from the weather or an astrological event. Fortunately, I discovered the Derwent Inktense pencils which are permanent (unlike regular watercolor pencils) and allow for overlapping layers of pigment, indispensable for this process.
The last three I just completed, the Bridal Veil series, illustrate in three parts a poem I wrote in 1996:
When I finished the last one, I realized it reminded me a lot of Hilma Klint’s Group X, No. 1, Altarpiece. Funny how the brain works.
Here’s the complete collection of full-sized Synesthesia drawings.